Mason Cooper, an industry veteran with
success in music supervision, music publishing, music production and more, is at the forefront of the modern paradigm of synergizing
the music, film and television industries, serving in his multifaceted capacities as Music Supervisor, Music Editor, Songwriter/Music
Producer, Soundtrack Producer and Film Production Consultant.
His comprehensive approach includes assisting with film budgeting and music strategies,
full service music supervising/clearance coordination, music/song editing and re-record mix oversight, working within all
film and musical styles and genres, overseeing composer and song licensing negotiations and documentation, writing songs and
producing music recordings for films and soundtracks, and assisting with project deliverables.
Cooper’s projects include the currently filming"Lamborghini"(Antonio Banderas, Alec Baldwin; directed by Bobby
Moresco), the true story film "The Royal" (about the life of baseball star/criminal justice
advocate Willie Mays Aikens), Ambi Entertainment’s crime thriller “Bent” (Andy
Garcia, Sofia Vergara), the LA gang/peace ture story of "California Love," "Nine Eleven" (Charlie Sheen, Whoopie Goldberg), the recent Open Road theatrical hit about icon Steve Jobs – “Jobs” (Ashton
Kutcher, Josh Gad), the animated feature "Bling" (Taylor
Kitsch, Jon Heder, Jennette McCurdy), the graphic comic thriller "Bad
Kids of Crestview High" (Gina Gershon, Sean Astin, Drake Bell), The Geffen Playhouse production “Thom Pain” (Rainn Wilson), Entertainment One's/DirecTV
hit TV drama "Rogue" (Richard Schiff, Thandie
Newton, Cole Hauser) and the polyromantic comedy "You Me Her" (Greg
Poehler, Rachel Blanchard), AT&T’s Peter Farrelly created comedy series "Loudermilk" (Ron Livingston), Dennis Quaid’s thriller film “Beneath The Darkness,” the Raging
Bull prequel/sequel “The Bronx Bull,” the
animated film “Spark” (with Susan Sarandon,
Hilary Swank, Patrick Stewart), the Documentaries “My Fighting
Season,” “The Volunteers,” and "Locker
Room Addiction," and the Audience Music series
(for AT&T's Audience Network) that includes concert programming by Sheryl Crow, Korn, Taylor Swift, Machine Gun Kelly,
Imagine Dragons, Foo Fighters and many more.
Cooper's client network as a Music Supervisor and Film Music Strategist includes companies such as DirecTV-AT&T/Audience
Network, Sunset Pictures, Ambi Entertainment, Vitamin A Films, eOne Entertainment, Mythic Films and The Geffen Playhouse.
Additionally, he has become a specialist in writing/creating original songs and hit song covers, producing new recordings
with actors and artists including: Dennis Quaid, Katie Holmes, Jason Alexander, Cheyenne Jackson, Joey Lawrence, Kay Panabaker,
Victoria Justice, Amy Grant, Bret Michaels, Weezer's Brian Bell, Dylan McDonald, Kyle Massey/Chris Massey, Devon Werkheiser,
Alex Aiono, others...
credits can be found at on IMDB, with past project highlights including director Christian Sesma’s “Shoot The Hero” (WB; Jason Mewes, Danny Trejo, Nick Turturro) and “I’m Not Like That No More” (Paul Rodriguez, Felipe Esparza), thirteen television specials
for Viacom’s MTVNetworks, Ralph Hemecker’s Warner Bros. hit series “Witchblade,” Showtime’s
award winning documentary “Annie: Life After Tomorrow,” MGM’s “Deal” (Burt Reynolds, Jennifer Tilly), SONY SPE’s “The Prince & The Pauper” (with Disney’s Cole & Dylan Sprouse), Primary Wave/DirecTV’s
comedy series “Hit The Road” (Jason Alexander), MGM’s “All’s Faire In Love” (Christina Ricci, Cedric The Entertainer), the John
Gotti inspired feature film “At The Sinatra Club” (Warner/Tricoast
/ Jason Gedrick, Michael Nouri), the Gil Cates Jr. directed dark comedy “Lucky” (Colin
Hanks, Ari Graynor; Phase 4 Films), and Image Entertainment’s Sean Faris action packed “Freerunner.
from the northeast, Cooper began formal musical training at age 4, earned a music scholarship at Arizona State University,
majoring in Business Management and Theater, culminating in a B.B.A. (Music Industry emphasis) from Belmont University. His
formal music industry career began in Nashville at Bobby Goldsboro’s House of Gold Music and Eddie Rabbit’s Briarpatch/DebDave
Music companies, forging an artist-oriented independent publishing vision of the music business, and continuing that path
as the Creative Director for Lenono Music, the publishing company of John Lennon and Yoko Ono. Hitting Los Angeles in the
mid 1980’s as Managing Director of Lippman Kahane Entertainment, he helped rep management music clients such as George
Michael, Bernie Taupin and Megadeth, and solidified global co-ventures for the firm with EMI Music, Warner/Chappell Music
and Polygram Records. Working with LKE’s roster brought Cooper into the film music world, moving on to head the Film/TV
Music Department for Motown’s Jobete Music (catalogs of Stevie Wonder, Smokey Robinson, etc.). During this time, Cooper
wrote and produced songs for various films and network TV themes (CBS’s “Major Dad,” FOX”s “Glory
Days,” NBC’s “Sister Kate”). The early 1990’s marked a return to Nashville, helping to kick
start careers for artists such as Sony’s superstar duo Montgomery-Gentry. Relocating again to the west coast, Cooper
served as strategic manager for clients expanding into the Film/Music arena, including eMusic.com, ARTISTdirect.com, rock
superstar Slaughter, the Jim Croce catalogue, and Rick Wakeman of Yes.
Cooper continues to focus on his integrated approach:
A Director's Vision And Protecting A Producer's Parameters... ...completed in compliance within distributor quality control